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A young reader's translation of a Shakespearean tragedy is presented in novel format that weaves dialogue directly from the original play with easy-to-understand text.
- Sales Rank: #1994716 in Books
- Brand: Brand: Scholastic Trade
- Published on: 1995-04
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 5.75" w x .75" l,
- Binding: Library Binding
- 151 pages
- Used Book in Good Condition
From Publishers Weekly
More than a retelling, this aptly termed "reconceptualization" provocatively modernizes Shakespeare's play. As in the original, the middle-aged general Othello the "moor" and young European noblewoman Desdemona fall in love and marry secretly. But Lester (To Be a Slave; John Henry) transplants the action from Venice and Cyprus to Elizabethan England and turns Iago and Emily into Africans like Othello, so that the three of them share a distinctly non-European point of view. Iago's envy of Othello and ability to whip him into a jealous rage at Desdemona are thus cast in a new light, though the tragic outcome remains the same. While the ending feels abrupt, Lester's novel succeeds in holding up a mirror to contemporary society. Phrases and passages directly based on Shakespeare's language are printed in a different typeface, a device that may distract the reader but eases comparisons with the original work. Ages 8-12.
Copyright 1995 Reed Business Information, Inc.
From School Library Journal
Grade 8 Up?In this beautiful and powerful novelization of Shakespeare's play, Lester has kept the plot intact but made some other changes crucial to his purpose. He shifts the setting from Venice to England and, most significantly, makes Othello, Iago, and Iago's wife all definitively black. They share a three-way friendship that originated in their native Africa. It is important that Iago is black and thereby released from any racist intent; the author is then able to maintain the focus of the tragedy on the weaknesses of the human soul and on problems of perception versus reality. But through the enhanced character development afforded by the novel form, Lester has also explored problems of racial alienation. His prose is an incredibly skillful blend of his own words and Shakespeare's, both paraphrased and quoted directly, interwoven seamlessly into a narrative that transmutes the musical feeling of Shakespeare's language into modern English. This is a book to be enjoyed on its own but is sure to send many readers back to the original with a heightened understanding of and appreciation for it. This wonderful achievement is a must for all libraries.?Margaret Cole, Oceanside Library, NY
Copyright 1995 Reed Business Information, Inc.
From Booklist
Gr. 8-12. Some may wonder what Lester is up to here. A novelization of Shakespeare's Othello? Why not just read the play? But in his well-reasoned introduction, Lester tackles that subject head-on, and his answers should convince even purists that there's a place for this book. After all, it's common knowledge that Shakespeare took plots from other works, so Lester is only following the Bard's example. Moreover, Lester firmly states that his book is not a substitute for the play but, rather, a re-imagining of the story.
Though he follows the original story line, Lester has made significant changes in the characterizations. Now Iago and Emilia (Emily in the play), like Othello, are black. Lester wanted race to be a more central theme of his novel, and by repositioning these characters, he brings a new and powerful dimension to that aspect of the story. In portraying Othello, Iago, and Emily as Africans who have come to England (the new setting) together, Lester gives them a mutual history that also adds psychological depth to his new conceptualization.
Another goal of Lester's is to make his book a bridge to the play. Since Shakespeare's language can be an inhibiting factor for young people, this more modern rendering makes the story accessible. But Lester does not entirely remake Shakespeare's style. Sometimes Lester paraphrases; at other times, he uses exact wording, which is printed in boldface, a useful, if occasionally awkward device.
There's only one problem with the book, and it's one that has played around the edges of Shakespeare's work as well. Othello's dramatic about-face concerning Desdemona, ending in her murder, comes with a quickness that will probably startle young readers. Despite the pyschological motivations Lester has tried to establish, Othello's haste to distrust does not seem to mesh with the image of the noble general that's been presented. Perhaps because of the intimacy a novel engenders, this jump seems more jarring here than it does in the play. On the whole, however, this is a fascinating effort. The story of Othello, with its questions about perceptions, race, and the nature of love and friendship, will be a natural draw for young people, just as it has been for readers worldwide, for centuries. Ilene Cooper
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Mathath
amazing book
2 of 5 people found the following review helpful.
this is not othello!
By A Customer
One of my main concerns in looking at the reviews for this novel were that most of them reviewed not this version of the play, but were reviewing the actual play by shakespeare itself. While I considered it kind of funny that people would take the time to give a bad review to a play that has been considered one of the great treasures of English literature for centuries, I thought it was somewhat tragic that they would give a bad review based solely in some cases on what could only be called a synopsis of the original work. True, the author went through the trouble of changing the race of a couple of characters, and in effect ruined a lot of the drama of the original work, but largely this is simply a poorly written synopsis of a literary classic. The problem with all such watered down versions of the original works is that they are not the original work. The original work, while it may be hard to understand, is a work of art, anything that merely gives the gist of the action in the original play is going to necessarily lose a lot of the original language and the original art. This novel is no different. Read the original!
0 of 0 people found the following review helpful.
Modern Othello
By A Customer
When I first found out that the book Othello was originally a Shakespeare play, I immediately thought 'I don't want to read some Elizabethan garbage...' but after enduring the first few boring chapters I came to notice that the book was actually a modern of version of Othello, with also an extremely interesting plot. Some of the original lines from Shakespeare appeared in the book, and instead of loathing the complex language I came to appreciate the intricacy that Shakespeare had put into the words. Altogether, I thought Othello was a great entertaing read.
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